Every digital photographer soon discovers that there are three main sources of visible random noise that affect pictures taken in normal conditions: Shot, pixel response non-uniformities (PRNU) and Read noise.[1]
Shot noise (sometimes referred to as Photon Shot Noise or Photon Noise) we learn is ‘inherent in light’; PRNU is per pixel gain variation proportional to light, mainly affecting the brighter portions of our pictures; Read Noise is instead independent of light, introduced by the electronics and visible in the darker shadows. You can read in this earlier post a little more detail on how they interact.
However, shot noise is omnipresent and arguably the dominant source of visible noise in typical captures. This article’s objective is to dig deeper into the sources of Shot Noise that we see in our photographs: is it really ‘inherent in the incoming light’? What about if the incoming light went through clouds or was reflected by some object at the scene? And what happens to the character of the noise as light goes through the lens and is turned into photoelectrons by a pixel’s photodiode?
Fish, dear reader, fish and more fish.
, the scalar quantity to minimize, function of ideal image 
, linear captured image intensity laid out in 
rows and 
columns, corrupted by Poisson noise and blurring by the 
, the known two-dimensional Point Spread Function that should be deconvolved out of 
element-wise product
, element-wise natural logarithm
and 
, from zero to 
that we are after?