Tag Archives: pixel shift

Resolution, Sensors, Sharpness

The Effect of Sampling on Image Resolution

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We understand from the previous article that the process of digitizing an optical image with a photographic sensor can be thought of as two subsequent operations:

  1. filtering (convolution) of the optical image on the sensing plane by the pixel’s finite effective active area (aka pixel aperture);
  2. point sampling the convolved image at a given fixed rate and position, often corresponding to the center of each pixel.

Both affect resolution in different ways: the former can be thought of as modifying continuously the analog optical image, as seen below right; the latter as possibly introducing interference (aliasing) into the result.

Figure 1. Digitizing an optical image corresponds to convolution with pixel aperture followed by Dirac delta sampling at the center of each pixel (red dots).  Highly magnified images of two simulated stars separated by the Rayleigh limit: the stars are resolved after just the optics to the left; and unresolved after smoothing by an ideal square pixel with 100% Fill Factor to the right.

In this page I will explore how the act of digitizing that image – the process of sampling – fundamentally alters what we can resolve.   In the next one we will discuss the impact on resolution of  pixel-shift modes available in current mirrorless cameras. Continue reading The Effect of Sampling on Image Resolution →

Equivalence, Formats, IQ, Sensors, Spatial Resolution

Olympus E-M5 II High-Res 64MP Shot Mode

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Olympus just announced the E-M5 Mark II, an updated version of its popular micro Four Thirds E-M5 model, with an interesting new feature: its 16MegaPixel sensor, presumably similar to the one in other E-Mx bodies, has a high resolution mode where it gets shifted around by the image stabilization servos during exposure to capture, as they say in their press release

‘resolution that goes beyond full-frame DSLR cameras.  8 images are captured with 16-megapixel image information while moving the sensor by 0.5 pixel steps between each shot. The data from the 8 shots are then combined to produce a single, super-high resolution image, equivalent to the one captured with a 40-megapixel image sensor.’

A great idea that could give a welcome boost to the ‘sharpness’ of this handy system.  Preliminary tests show that the E-M5 mk II 64MP High-Res mode gives some advantage in MTF50 linear spatial resolution compared to the Standard Shot 16MP mode with the captures in this post.  Plus it apparently virtually eliminates the possibility of  aliasing and moiré.  Great stuff, Olympus.

Continue reading Olympus E-M5 II High-Res 64MP Shot Mode →