This article is about specifying the units of the Discrete Fourier Transform of an image and the various ways that they can be expressed. This apparently simple task can be fiendishly unintuitive.
The image we will use as an example is the familiar Airy Pattern from the last few posts, at f/16 with light of mean 530nm wavelength. Zoomed in to the left in Figure 1; and as it looks in its 1024×1024 sample image to the right:
Having shown that our simple two dimensional MTF model is able to predict the performance of the combination of a perfect lens and square monochrome pixel with 100% Fill Factor we now turn to the effect of the sampling interval on spatial resolution according to the guiding formula:
(1) 
The hats in this case mean the Fourier Transform of the relative component normalized to 1 at the origin (
), that is the individual MTFs of the perfect lens PSF, the perfect square pixel and the delta grid; 
represents two dimensional convolution.
While exposed a pixel sees the scene through its aperture and accumulates energy as photons arrive. Below left is the representation of, say, the intensity that a star projects on the sensing plane, in this case resulting in an Airy pattern since we said that the lens is perfect. During exposure each pixel integrates (counts) the arriving photons, an operation that mathematically can be expressed as the convolution of the shown Airy pattern with a square, the size of effective pixel aperture, here assumed to have 100% Fill Factor. It is the convolution in the continuous spatial domain of lens PSF with pixel aperture PSF shown in Equation (2) of the first article in the series.
Sampling is then the product of an infinitesimally small Dirac delta function at the center of each pixel, the red dots below left, by the result of the convolution, producing the sampled image below right.
Continue reading A Simple Model for Sharpness in Digital Cameras – Sampling & Aliasing
Now that we know from the introductory article that the spatial frequency response of a typical perfect digital camera and lens (its Modulation Transfer Function) can be modeled simply as the product of the Fourier Transform of the Point Spread Function of the lens and pixel aperture, convolved with a Dirac delta grid at cycles-per-pixel pitch spacing
(1) 
we can take a closer look at each of those components (
here indicating normalization to one at the origin). I used Matlab to generate the examples below but you can easily do the same with a spreadsheet. Continue reading A Simple Model for Sharpness in Digital Cameras – Diffraction and Pixel Aperture
The next few posts will describe a linear spatial resolution model that can help a photographer better understand the main variables involved in evaluating the ‘sharpness’ of photographic equipment and related captures. I will show numerically that the combined Spatial Frequency Response (aka Modulation Transfer Function) of a perfect AAless monochrome digital camera and lens in two dimensions can be described as the magnitude of the normalized product of the Fourier Transform (FT) of the lens Point Spread Function (PSF) by the FT of the pixel footprint (aperture), convolved with the FT of a square grid of Dirac delta functions centered at each pixel:
![\[ MTF_{2D} = \left|\widehat{ PSF_{lens} }\cdot \widehat{PIX_{ap} }\right|_{pu}\ast\ast\: \delta\widehat{\delta_{pitch}} \]](https://i0.wp.com/www.strollswithmydog.com/wordpress/wp-content/ql-cache/quicklatex.com-8dac44a5e303eacd5a262b2c42296a14_l3.png?resize=320%2C37&ssl=1 "Rendered by QuickLaTeX.com")
With a few simplifying assumptions we will see that the effect of the lens and sensor on the spatial resolution of the continuous image on the sensing plane can be broken down into these simple components. The overall ‘sharpness’ of the captured digital image can then be estimated by combining the ‘sharpness’ of each of them.
The stage will be set in this first installment with a little background and perfect components. Following articles will deal with the effect on captured sharpness of
We will learn how to measure MTF curves for our equipment, look at numerical methods to model PSFs and MTFs from the wavefront at the pupil of the lens and the theory behind them. Continue reading A Simple Model for Sharpness in Digital Cameras – I